Gimme Shelter

A Review of Ludovico Einaudi's work, exemplified by In a Time Lapse and In a Time Lapse (The Remixes) (2013)

I recently described the past week to a friend as like a hurricane. It swept in quickly but not without some advance warning; was devastating in its toll on my mental and spiritual energy; and had moments of calm amid its thrashing waves.

Part of the reason I felt this first week of the fall term so intensely, I think, is that I've become more introverted over the past few months. I feel more disconnected from students than is usual at the start of a semester--perhaps the result of my evolving administrative responsibilities in the Study Abroad Office. (I did feel relief from this scary isolation, though, when I advised a group of thoughtful and energized first-years on Friday.)

Disappointing v Uninteresting v Meh

A Review of Batman v Superman: Dawn of Justice (2016)

"Nobody cares about Clark Kent taking on the Batman." - Perry White

I first started writing a different post in an effort to decide whether "Uninteresting" captured my reaction to this film. It tested a lingering weakness in the ten-point scale that I developed over two years ago: whether an "uninteresting" cultural text merits a rating at all (putting it in a rather damning undefined space) or if it sits uncomfortably between "OK" (Rank 5) or "Bad" (Rank 3). After all, Batman v Superman: Dawn of Justice did prompt a response from me. It kept my interest, in fact, for the full, overlong two-and-a-half hours. In some ways, "disappointing" would be a better description, but that implies more that I had higher hopes for the film in the first place.

Now I just feel disappointed that I had such hopes.

Glamour On A Pig

A Review of The Wolf Among Us

Snow White: "So...starting now...we do everything cut and dried, by the book, straight as an arrow."

Colin: "Pure as driven snow..."

-From Episode IV: "In Sheep's Clothing"

I often think that life is an expectations game--or, at least, it is for me. Before I read a book, watch a film, play a game--or even do something more mundane, like head into a staff meeting or stop by Dillon's for the week's groceries--I instinctively develop a mental narrative of how that experience will unfold. My guess is that most people do this to some extent. How something plays out, then, inevitably stands in contrast with my expectation of that event; my resulting evaluation colors my memory, my attitudes shaping the very facts of the experience.

With The Wolf Among Us, I had very high expectations. A production of Telltale Games, one of my favorite game publishers (and based in my spiritual home of Marin County, California), the game uses a similar engine and format as The Walking Dead, Season One, one of the best games of recent years. It has a noir setting; draws on the smart comic series, Fables; features similarly breathtaking visuals as The Walking Dead; and stars many of the same excellent voice actors. My mental narrative was an exciting one. It foresaw The Wolf Among Us as a brilliant riff on Western fairy tales and urban legends, holding the Magic Mirror up to these classics and showing us their dark undercurrents.

Expectations can be fatal, however, to the success of a game. The writers behind The Wolf Among Us failed to pull together a coherent story, let alone one as smart and caustically insightful as The Walking Dead.

A Note on Ratings

So this won't be the most exciting post of all time, but I feel that it's a necessary one. As I settle into different database and review websites, I've come across the issue of consistency across different ratings metrics. I'm ultimately of the opinion that opinions can't (and shouldn't) be standardized, but when they're only my opinions, I'm less troubled by the idea.